It should not be forgotten that it is only the first two hours of the controlled time that must be consecutive, although this is not always dictated by the teacher and often slotted into an existing exam timetable as a day of five hours and in some cases two full days of ten.
From early on in the unit 2 process I have started to ask my students to think not about what they are going to do (content etc, too early yet) but how they would like to work during the ten hour period, from these discussions I hope to guide the learners down a path to a project that has substance and value. Some of the ideas that we share are very much the traditional expectations of the ten hour period, students may plan to set up, build and create still life subjects or create mixed media pieces with their photographs whilst other ideas may require more work to be done prior to the controlled time in the collection of portraits where a model is required, landscape images captured and film footage shot. We were fortunate enough to be given five hours for a mock exam in December, many students were surprised by how much they could achieve in that amount of time and many were caught out by how poorly that had prepared. The ideas below are just a few that I have come up with for students to try in our mock exams and exams of the past:
Also some great ideas were shared on the Through the Lens Facebook group when I recently posted on the same topic:
Jon Kime, HOD Art & Design Fred Longworth High, Wigan
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The new linear Art & Design specifications at A level separate the AS and A level courses. We've just taken the plunge. We're going linear. Why and what does this mean for our students? I'll be honest. I've never really seen the point of the AS level qualification for photography students. Whilst many of my colleagues have enjoyed the opportunity to prepare students for public examinations in January and June of Year 12, I have always had problems with the AS. Many of our students come to us from other schools where they have not studied photography at GCSE level. We've only recently had our own GCSE course. We have to assume that most students begin photography A level with very little knowledge and rudimentary skills. This has meant that we've had to cram an introduction to photography into 5 months (September to January), asking students to produce work that is personal and meaningful for their coursework portfolio so that we can begin preparing for Unit 2 (The Externally Set Task) from the start of February. This kind of time scale can have one or two negative consequences:
Another issue was the effect of completing the AS course (50% of the student's final A level grade) at the end of Year 12 on their subsequent experience of Year 13. Despite my sense that the AS course was not in the best interests of students, ours tended to do well. Our retention rate to Year 13 was high. Students tended to do as well, if not better, in photography than in their other A level subjects. However, for many students, having 50% of their final A level grade in the bag, so to speak, half way through the course tended to encourage them to lose focus and motivation in Year 13. There were clearly other factors for this too. Students perhaps sensed the end of their time at school on the horizon and may have been distracted by applications to UCAS and preparing Arts College portfolios. However, I also feel that the AS experience gave them a slightly false sense of the demands of the subject. Having come to it fresh, with little prior knowledge, and having got a decent grade at the first attempt, they could be forgiven for thinking that A level photography was pretty easy. The best analogy I can think of is drama. The AS/A2 experience might be compared to a two act play. There is a crescendo at the end of Act 1 (AS) as the actors (students) achieve a pitch of emotion. Act 2 (A2) consequently begins in a bit of a lull and works up to its own climax. For the most committed students, the climax of A2 exceeded the intensity of that at AS but, for many of our students, the loss of energy between the acts was never fully recovered. When the new linear specifications were announced, I began to wonder whether we could switch to a one act play with a single arc of action leading to one final denouement. (My knowledge of dramatic structure is pretty limited so please forgive any technical inaccuracies in my comparison.) So, what might this new course be like? After some deliberation, we have decided not to offer an AS in photography for this year's Year 12 cohort. We are still in the process of testing and refining a new course structure but it will look something like this: Year 12: As you can see, without the interruption of the AS Unit 2 Externally Set Task (from 1st February) we can continue to develop students' understanding of photography leading to the creation of a richer understanding of photography concepts, its history and skills. We can offer them a thorough introduction to the subject, enabling them to begin their Personal Investigations with confidence.
At least, that's the theory. Only time will tell whether this works better for our students. But the opportunity to develop their understanding of photography and its key concepts is too good to pass up. I'd be interested to know what you think and what you've decided to do with the new specifications. Feel free to post a comment below. Jon Nicholls Thomas Tallis School |
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